It was therefore a prerequisite for us to base all research into the perfume of the Renaissance blue, on the perfume of the woad itself. And from there, to broaden the palette of the senses to encompass the fragrance of those skies captured on the canvasses of the epoch. A fragrance which seeks a vertical vision between the terrestrial and the divine, between earth and sky, between the natural as represented by woad and a more mystical, ascending incense with a fresh liberated base ? in other words, blue